As many of you know, any study of the history of technology reveals that it is often at the moment of invention when a technology is used in the most transgressive, creative, and inspirational ways.
We are so fortunate, here in Boston, to have the resources of the MIT Open Doc Lab in our backyard. Last night I attended “The People Formerly Known As the Subject,” a presentation by the amazing Katrina Cizek and Gerry Flahive – the minds and motivation behind HIGHRISE.
This past weekend was the Camden International Film Festival in Camden, ME, and the staff of LEF New England turned out in its entirety.
On September 19, I went to a salon-style event organized by the MIT Open Doc Lab where author and film scholar Scott Macdonald talked about his new book The Cambridge Turn.
I juggle a lot of hats in this inspiring, and often bewildering, game we call documentary. Program Director at the LEF Foundation is one of them. Programmer at The DocYard is another. And a third, of which I am very proud, is Producer of the non-fiction feature film (currently in post-production) Street Fighting Man. It was with this last hat on that I set off to New York for Independent Film Week, last week.
There are many people locally who are working feverishly ( how else) and somewhat below the radar ( no surprise) in all aspects of the media industry.
Our 3rd DocYard summer season has wrapped and another collection of amazing films and artists has come and gone. Nearing the end of this summer’s programming, several people approached me asking about how we select the films.
I met Mina T. Son and Sara Newens at the Big Sky Documentary Film Festival earlier this year. The California-based filmmakers are hard at work hard on their first feature documentary, Top Spin, which follows teenage US table tennis players all the way to the London 2012 Olympics.
LEF is very proud to have supported Leviathan, a documentary about the fishing industry in New Bedford, MA, by Lucien Castaing-Taylor and Véréna Paravel.
I have to say that I am often finding myself saying “Thank God for Ingrid Kopp.” Ingrid is the Director of Digital Initiatives at the Tribeca Film Institute and one of the brightest minds out there thinking about what’s next for digital storytelling.
Plenty has been written online about French filmmaker Chris Marker, who died this past Sunday.
One of my favorite scenes in The 40 Year Old Virgin (yes, I have a favorite scene from The 40 Year Old Virgin) is when Steve Carell, after having a fight with his girlfriend, flees her apartment and rides his bike home at night with traffic backed up behind him.