Scott MacDonald at the MIT DocLab
On September 19, I went to a salon-style event organized by the MIT Open Doc Lab where author and film scholar Scott Macdonald talked about his new book The Cambridge Turn.
On September 19, I went to a salon-style event organized by the MIT Open Doc Lab where author and film scholar Scott Macdonald talked about his new book The Cambridge Turn.
I juggle a lot of hats in this inspiring, and often bewildering, game we call documentary. Program Director at the LEF Foundation is one of them. Programmer at The DocYard is another. And a third, of which I am very proud, is Producer of the non-fiction feature film (currently in post-production) Street Fighting Man. It was with this last hat on that I set off to New York for Independent Film Week, last week.
There are many people locally who are working feverishly ( how else) and somewhat below the radar ( no surprise) in all aspects of the media industry.
Our 3rd DocYard summer season has wrapped and another collection of amazing films and artists has come and gone. Nearing the end of this summer’s programming, several people approached me asking about how we select the films.
I met Mina T. Son and Sara Newens at the Big Sky Documentary Film Festival earlier this year. The California-based filmmakers are hard at work hard on their first feature documentary, Top Spin, which follows teenage US table tennis players all the way to the London 2012 Olympics.
LEF is very proud to have supported Leviathan, a documentary about the fishing industry in New Bedford, MA, by Lucien Castaing-Taylor and Véréna Paravel.
I have to say that I am often finding myself saying “Thank God for Ingrid Kopp.” Ingrid is the Director of Digital Initiatives at the Tribeca Film Institute and one of the brightest minds out there thinking about what’s next for digital storytelling.
Plenty has been written online about French filmmaker Chris Marker, who died this past Sunday.
One of my favorite scenes in The 40 Year Old Virgin (yes, I have a favorite scene from The 40 Year Old Virgin) is when Steve Carell, after having a fight with his girlfriend, flees her apartment and rides his bike home at night with traffic backed up behind him.
Not attempting to earn brownie points here, but I actually did enter this year’s Flaherty Seminar with little or no preconceptions, especially about what I would be seeing up on the big screen.
Sometimes they seem like the overlooked little siblings of the movie family, but short films need nurturing just like their feature-length counterparts. Fortunately, there are some exciting opportunities out there right now for shorts; if you’re in the process of making one, these avenues might help shepherd it towards a successful future.
Transmedia is the word of the day! A lot of energy has been going to the newest generation of multi-platform, interactive, crowd-sourced nonfiction work.
On September 19, I went to a salon-style event organized by the MIT Open Doc Lab where author and film scholar Scott Macdonald talked about his new book The Cambridge Turn.
I juggle a lot of hats in this inspiring, and often bewildering, game we call documentary. Program Director at the LEF Foundation is one of them. Programmer at The DocYard is another. And a third, of which I am very proud, is Producer of the non-fiction feature film (currently in post-production) Street Fighting Man. It was with this last hat on that I set off to New York for Independent Film Week, last week.
There are many people locally who are working feverishly ( how else) and somewhat below the radar ( no surprise) in all aspects of the media industry.
Our 3rd DocYard summer season has wrapped and another collection of amazing films and artists has come and gone. Nearing the end of this summer’s programming, several people approached me asking about how we select the films.
I met Mina T. Son and Sara Newens at the Big Sky Documentary Film Festival earlier this year. The California-based filmmakers are hard at work hard on their first feature documentary, Top Spin, which follows teenage US table tennis players all the way to the London 2012 Olympics.
LEF is very proud to have supported Leviathan, a documentary about the fishing industry in New Bedford, MA, by Lucien Castaing-Taylor and Véréna Paravel.
I have to say that I am often finding myself saying “Thank God for Ingrid Kopp.” Ingrid is the Director of Digital Initiatives at the Tribeca Film Institute and one of the brightest minds out there thinking about what’s next for digital storytelling.
Plenty has been written online about French filmmaker Chris Marker, who died this past Sunday.
One of my favorite scenes in The 40 Year Old Virgin (yes, I have a favorite scene from The 40 Year Old Virgin) is when Steve Carell, after having a fight with his girlfriend, flees her apartment and rides his bike home at night with traffic backed up behind him.
Not attempting to earn brownie points here, but I actually did enter this year’s Flaherty Seminar with little or no preconceptions, especially about what I would be seeing up on the big screen.
Sometimes they seem like the overlooked little siblings of the movie family, but short films need nurturing just like their feature-length counterparts. Fortunately, there are some exciting opportunities out there right now for shorts; if you’re in the process of making one, these avenues might help shepherd it towards a successful future.
Transmedia is the word of the day! A lot of energy has been going to the newest generation of multi-platform, interactive, crowd-sourced nonfiction work.